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	<title>Open Loop Press &#187; music</title>
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		<title>Listen Aid</title>
		<link>http://www.openlooppress.org/othervoices/listen-aid/</link>
		<comments>http://www.openlooppress.org/othervoices/listen-aid/#comments</comments>
		<pubDate>Wed, 08 Sep 2010 05:33:43 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Other Voices]]></category>
		<category><![CDATA[Friedrich Nietzsche]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[iPod]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[practice]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Virginia Woolf]]></category>

		<guid isPermaLink="false">http://www.openlooppress.org/?p=340</guid>
		<description><![CDATA[Guest Contributor: Dena Ratner Plugged into Clinic, your thirty-minute journey to work is colored by the band&#8217;s coke-induced fast tracks. What started out as a bleary-eyed trudge is transformed into matutinal elation as you&#8217;re gliding down the street past person after person, cars cars cars and building after building, everything is rocking with your aural jubilation As you climb up the stairs and come back forever / Summer&#8217;s in the house, untamed it was / Walking with thee / Walking with thee / Walking with thee / Walking with thee until you arrive at work and barely remember how you ...]]></description>
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		<title>Jericho Brown Writes What’s On His Mind</title>
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		<comments>http://www.openlooppress.org/interviews/jericho-brown/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 03:05:38 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[abuse]]></category>
		<category><![CDATA[Billie Holiday]]></category>
		<category><![CDATA[Black Arts Movement]]></category>
		<category><![CDATA[Essex Hemphill]]></category>
		<category><![CDATA[Harlem Renaissance]]></category>
		<category><![CDATA[Janis Joplin]]></category>
		<category><![CDATA[line breaks]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[Mary J. Blige]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Natasha Trethewey]]></category>
		<category><![CDATA[Phillis Wheatley]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Prince]]></category>
		<category><![CDATA[punctuation]]></category>
		<category><![CDATA[Sylvia Plath]]></category>
		<category><![CDATA[Wallace Stevens]]></category>

		<guid isPermaLink="false">http://www.openlooppress.org/?p=219</guid>
		<description><![CDATA["I think we've been telling our students so long, 'Write what you know. Write your lived experience,' and I think our students have this idea that that means write about the time A, B, and C happened to me, but that's not really it. It's more, write what you can't stop thinking about. Write what’s on your mind."]]></description>
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		<title>Creating the Chorus: Joshua Kryah and the Question of Faith</title>
		<link>http://www.openlooppress.org/interviews/joshua-kryah/</link>
		<comments>http://www.openlooppress.org/interviews/joshua-kryah/#comments</comments>
		<pubDate>Tue, 23 Dec 2008 03:07:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA["Ulysses"]]></category>
		<category><![CDATA[Barbara Guest]]></category>
		<category><![CDATA[courtly love]]></category>
		<category><![CDATA[Dante's Beatrice]]></category>
		<category><![CDATA[Ezra Pound]]></category>
		<category><![CDATA[faith]]></category>
		<category><![CDATA[George Oppen]]></category>
		<category><![CDATA[James Joyce]]></category>
		<category><![CDATA[James Merrill]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[Lorine Niedecker]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Paul Celan]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[quotation]]></category>
		<category><![CDATA[Sappho]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Sister Gertrude Morgan]]></category>
		<category><![CDATA[T.S. Eliot]]></category>
		<category><![CDATA[the Beloved]]></category>
		<category><![CDATA[The Gospel of Mark]]></category>
		<category><![CDATA[W.B. Yeats]]></category>

		<guid isPermaLink="false">http://www.openlooppress.org/?p=116</guid>
		<description><![CDATA["…the poem that is crafted as well as it can be crafted sometimes winds up just 'saying' something; it's saying <b>this</b> about language, or it's saying <b>this</b> about faith, or it's saying <b>this</b> about the Beloved, or the condition of love.  Whereas right now what I want to do is speak.  I want, not to pronounce, but to let the poems go further than they usually have, or that I've allowed them to go."]]></description>
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		<title>Artistic Fundamentals: Gabriel Judet-Weinshel</title>
		<link>http://www.openlooppress.org/interviews/gabriel-judet-weinshel/</link>
		<comments>http://www.openlooppress.org/interviews/gabriel-judet-weinshel/#comments</comments>
		<pubDate>Mon, 15 Sep 2008 12:36:43 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Andrei Tarkovsky]]></category>
		<category><![CDATA[Andrew Douglas]]></category>
		<category><![CDATA[Anne Sexton]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Cache]]></category>
		<category><![CDATA[Christopher Doyle]]></category>
		<category><![CDATA[Cubist painters]]></category>
		<category><![CDATA[Edith Wharton]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Fyodor Dostoevsky]]></category>
		<category><![CDATA[Impressionist painters]]></category>
		<category><![CDATA[James Joyce]]></category>
		<category><![CDATA[Jonathan Glazer]]></category>
		<category><![CDATA[Julian Schnabel]]></category>
		<category><![CDATA[Leonard Cohen]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[lyrics]]></category>
		<category><![CDATA[Mary Oliver]]></category>
		<category><![CDATA[Matthew Barney]]></category>
		<category><![CDATA[Maurice Sendak]]></category>
		<category><![CDATA[Michael Bay]]></category>
		<category><![CDATA[Michael Elliot]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Noah Baumbach]]></category>
		<category><![CDATA[Richard Prince]]></category>
		<category><![CDATA[Tarsem]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[William Ruiz]]></category>
		<category><![CDATA[Wong Kar-wai]]></category>

		<guid isPermaLink="false">http://www.openlooppress.org/?p=9</guid>
		<description><![CDATA[<p>"… any time somebody’s taste expands I think it’s because something touches them in that new thing that they’re drawn to, something that’s accessible immediately.  If there’s nothing accessible immediately I don’t think you can gravitate towards something, but if there’s something immediately accessible or something that touches you, then that creates the spark that makes you want to stretch.” </p>]]></description>
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