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	<title>Open Loop Press &#187; non-linear narrative</title>
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		<title>On Listening: Salvatore Scibona Tunes in to Detail</title>
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		<pubDate>Sun, 21 Feb 2010 04:44:08 +0000</pubDate>
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				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[detail]]></category>
		<category><![CDATA[Don DeLillo]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[Flannery O'Connor]]></category>
		<category><![CDATA[free indirect style]]></category>
		<category><![CDATA[Fyodor Dostoyevsky]]></category>
		<category><![CDATA[immigrant]]></category>
		<category><![CDATA[Italian]]></category>
		<category><![CDATA[Joan Didion]]></category>
		<category><![CDATA[narrator]]></category>
		<category><![CDATA[non-linear narrative]]></category>
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		<guid isPermaLink="false">http://www.openlooppress.org/?p=217</guid>
		<description><![CDATA["I think for a writer you don’t see a thing until you use the word for it and the more precise the word you can use the more precisely you see it. On the other hand, the word is an instrument in order to lead you to the thing and you can spin a whole lot of words around yourself for years and years and years, as the jeweler does, until it gets to the point where your primary relationship is with the language and not with the thing."]]></description>
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		<title>The Literary Horologist: Paul Harding &#8220;Tinkers&#8221; With Time</title>
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		<pubDate>Sat, 19 Dec 2009 23:09:52 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA["Housekeeping"]]></category>
		<category><![CDATA[Age of Reason]]></category>
		<category><![CDATA[Barry Unsworth]]></category>
		<category><![CDATA[Bowdoin College]]></category>
		<category><![CDATA[Carlos Fuentes]]></category>
		<category><![CDATA[clockwork universe]]></category>
		<category><![CDATA[determinism]]></category>
		<category><![CDATA[Elizabeth McCracken]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[Gabriel García Márquez]]></category>
		<category><![CDATA[Julio Cortázar]]></category>
		<category><![CDATA[magical realism]]></category>
		<category><![CDATA[Marilynne Robinson]]></category>
		<category><![CDATA[Nathaniel Hawthorne]]></category>
		<category><![CDATA[New England]]></category>
		<category><![CDATA[non-linear narrative]]></category>
		<category><![CDATA[Thomas Mann]]></category>
		<category><![CDATA[time]]></category>

		<guid isPermaLink="false">http://www.openlooppress.org/?p=214</guid>
		<description><![CDATA["… I don't write the book in any order, I just literally wake up and wonder about whatever immediately strikes me as interesting. Usually I have a question about something: 'What does she think at that point?' Or, 'What does he do?' Or, 'What does the cemetery look like in the autumn?' And I just start writing."]]></description>
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